Notes on Chapter 13 from Their Eyes Were Watching God
"Are we going to read that Janie and Tea Cake story in here?" but still and all, it takes its shape from de shore it meets, and it's different with every shore." In Their Eyes Were Watching God Hurston provides a leading character who knows . Cover of There Eyes Were Watching God Janie's marriage to Tea Cake makes her feel like she has been given a second chance in life to live her youth; she. Janie is in her late thirties when she meets Vergible 'Tea Cake' Woods. He is around 12 years younger than Janie. This means that he is approximately 24 to
Or maybe it is a preordained, God-given glimpse of some eternal force. Romantic love seems to be a complex, yet clumsily-assembled combination of every idea we attempt to describe it with. It seems that someone must find answer to the question of love for herself. It is dynamic, and evasive, and confusing.
She glorifies the simple, idyllic purity of the natural exchange, the give-and-take of a bee and a bloom. With kissing bees singing of the beginning of the world!
To Janie, as both an imaginative girl and a reflective woman, love in its purest form will always be the junction of the bee and the bloom. Still, perhaps the nature of raising a child in an environment where she has security and privilege is that she also gains the right to make her own sometimes-dangerous decisions. It is not a blessing, but an illusion created by God and man to beguile foolish women. As Janie grows older, her idea of love seems threatened by an onslaught of cruel, discriminating reality.
Janie finds the very concept of a marriage without love offensive.janie shoots tea cake
She accepts nothing short of symbiosis and refuses to give up hope for her girlish idea of romance, but she is not without her doubts and setbacks. Upon meeting Joe Starks, Janie at first thinks her second grab at love might be successful. Janie does not love Jody any more than she did Logan, and he does not seem to care for her the way she wants either.
To Jody, Janie is a box to check off and a trophy to display; she is not a lover. Security does not equate love, but it seems that change, when that change only leads to a lonely relationship governed by possession, is not enough either. She thus never really loses her childhood concept of idealized love; she holds onto it until she can adapt it as a part of reality.
As a sixteen-year-old girl, lying beneath a pear tree in the spring, she watches a bee gathering pollen from a pear blossom. The experience becomes a symbol to Janie of the ideal relationship, one in which passion does not result in possession or domination, but rather in an effortless union of individuals.
Symbols and Metaphors
Three months after Janie's marriage to Logan Killicks, she returns to Nanny in tears. Although he "did not represent sun-up and pollen and blooming trees", Joe offers her the opportunity for a new life, one that she hopes will be better. Soon, however, Janie realises that "the way Joe spoke out without giving her a chance to say anything one way or another Janie becomes disillusioned and discouraged. He could be a bee to a blossom--a pear tree blossom in the spring.
He seemed to be crushing scent out of the world with his footsteps.
The horizon represents better things--the possibility of change and perhaps improvement. For some they come in with the tide.
For others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the life of men. She can wish and hope for better things, but she lives in reality that is very different. From the beginning, Janie's dreams are limited by her circumstances. Early in her life, "Nanny had taken the biggest thing God ever made, the horizon--for no matter how far a person can go the horizon is still way beyond you--and pinched it in to such a little bit of a thing that she could tie it about her granddaughter's neck tight enough to choke her.
Her wish has "come in with the tide". Hurston writes that Janie "pulled in her horizon like a great fish-net. Pulled it from around the waist of the world and draped it over her shoulder.
So much of life in its meshes! She called her soul to come in and see. The two are frequently mentioned together. The road functions as a bridge between Janie's present circumstances and the horizon. The different stages of Janie's life--the different stages in the realization of her dream--are marked by travel from one place to another. The Hurricane The hurricane's devastation is beyond the control of the book's characters.
Capricious but impersonal, it is a concrete example of the destructive power found in nature. Janie, Tea Cake, and their friends can only look on in terror as the hurricane destroys the structure of their lives and leaves them to rebuild as best they can.
Chapter 13 Notes from Their Eyes Were Watching God
A pivotal event in the novel, the hurricane marks an abrupt transition from Janie's idyllic life with Tea Cake. After the storm strikes, events rush rapidly to Tea Cake's death and the novel's conclusion. For example, Joe is described as "uh whirlwind among breezes We bend which ever way he blows. Hurston often uses the death of characters to mark the death of phases of Janie's life--and consequently, transitions to new phases.
The two most important incidents are the deaths of two of her husbands. Joe's death frees Janie not only from the restrictions that he put on her, but of the self-imposed submission of her own thoughts and dreams. Janie's relationship with Tea Cake fulfills her "pear-tree" dream.