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Meet the Spartans cast list, listed alphabetically with photos when available. This list of Meet the Spartans actors includes any Meet the Spartans actresses and. View All Photos Cast. Carmen Electra as Queen Margo. Ken Davitian as Xerxes. Kevin Sorbo Razzies Name 's Worst Movie Nominees The result in Meet the Spartans is less classic Mel Brooks than middling Best Week Ever. Meet the Spartans () cast and crew credits, including actors, actresses, directors, writers and Marc S. Fischer line producer: additional photography.
The historical consensus, both among ancient chroniclers and current scholars, was that Thermopylae was a clear Greek defeat; the Persian invasion would be pushed back in later ground and naval battles. The Spartans' use of the narrow terrain, in those particular circumstances, is a military tactic known as " defeat in detail ".
Paul CartledgeProfessor of Greek History at Cambridge Universityadvised the filmmakers on the pronunciation of Greek names, and said they "made good use" of his published work on Sparta. He praises the film for its portrayal of "the Spartans' heroic code", and of "the key role played by women in backing up, indeed reinforcing, the male martial code of heroic honour", while expressing reservations about its "'West' goodies vs 'East' baddies polarization".
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He suggests that the film's moral universe would have seemed "as bizarre to ancient Greeks as it does to modern historians". He remarks that SimonidesAeschylusand Herodotus viewed Thermopylae as a battle against "Eastern centralism and collective serfdom", which opposed "the idea of the free citizen of an autonomous polis ". Some passages from the Classical authors AeschylusDiodorusHerodotus and Plutarch are split over the movie to give it an authentic flavor.
Aeschylus becomes a major source when the battle with the "monstrous human herd" of the Persians is narrated in the film. Diodorus' statement about Greek valor to preserve their liberty is inserted in the film, but his mention of Persian valor is omitted. Herodotus' fanciful numbers are used to populate the Persian army, and Plutarch's discussion of Greek women, specifically Spartan women, is inserted wrongly in the dialogue between the " misogynist " Persian ambassador and the Spartan king.
Classical sources are certainly used, but exactly in all the wrong places, or quite naively. The Athenians were fighting a sea battle during this. It's about the romanticizing of the Spartan 'ideal', a process that began even in ancient times, was promoted by the Romans, and has survived over time while less and less resembling the actual historical Sparta.
It's just in the visualization that it's crazy… I've shown this movie to world-class historians who have said it's amazing. They can't believe it's as accurate as it is. That's what I say when people say it's historically inaccurate". He also describes the film's narrator, Dilios, as "a guy who knows how not to wreck a good story with truth".
I took those chest plates and leather skirts off of them for a reason. I wanted these guys to move and I wanted 'em to look good.
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I knocked their helmets off a fair amount, partly so you can recognize who the characters are. Spartans, in full regalia, were almost indistinguishable except at a very close angle.
Another liberty I took was, they all had plumes, but I only gave a plume to Leonidas, to make him stand out and identify him as a king.
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I was looking for more an evocation than a history lesson. The best result I can hope for is that if the movie excites someone, they'll go explore the histories themselves. Because the histories are endlessly fascinating.
Kaveh Farrokh in a paper entitled "The Movie: Separating Fact from Fiction"  notes that the film falsely portrays "the Greco-Persian Wars in binary terms: He highlights three points regarding the contribution of the Achaemenid Empire to the creation of democracy and human rights. This was the first time in history that a world power had guaranteed the survival of the Jewish people, religion, customs and culture.
Snyder relates that there was "a huge sensitivity about East versus West with the studio. The New York Post 's Kyle Smith wrote that the film would have pleased " Adolf 's boys,"  and Slate 's Dana Stevens compares the film to The Eternal Jew"as a textbook example of how race-baiting fantasy and nationalist myth can serve as an incitement to total war. Newsday critic Gene Seymour, on the other hand, stated that such reactions are misguided, writing that "the movie's just too darned silly to withstand any ideological theorizing.
They were the biggest slave owners in Greece. But at the same time, Spartan women had an unusual level of rights. It's a paradox that they were a bunch of people who in many ways were fascistbut they were the bulwark against the fall of democracy. The closest comparison you can draw in terms of our own military today is to think of the red-caped Spartans as being like our special-ops forces. They're these almost superhuman characters with a tremendous warrior ethicwho were unquestionably the best fighters in Greece.
I didn't want to render Sparta in overly accurate terms, because ultimately I do want you to root for the Spartans. I couldn't show them being quite as cruel as they were. I made them as cruel as I thought a modern audience could stand. Leonidas points out that his hunched back means Ephialtes cannot lift his shield high enough to fight in the phalanx. This is a transparent defence of Spartan eugenicsand convenient given that infanticide could as easily have been precipitated by an ill-omened birthmark.
Chemers, author of "'With Your Shield, or on It': Disability Representation in " in the Disability Studies Quarterly, said that the film's portrayal of the hunchback and his story "is not mere ableism: It would be much more classically Spartan if Leonidas laughed and kicked him off the cliff.
Snyder said of Xerxes: Officials of the Iranian government  denounced the film. Azadeh Moaveni of Time reported, "All of Tehran was outraged. Everywhere I went yesterday, the talk vibrated with indignation over the film". Ayende-Noan independent Iranian newspaper, said that "[t]he film depicts Iranians as demons, without culture, feeling or humanity, who think of nothing except attacking other nations and killing people". First, she describes the timing of the film's release, on the eve of Norouzthe Persian New Yearas "inauspicious.
Moaveni also suggests that "the box office success ofcompared with the relative flop of Alexander another spurious period epic dealing with Persiansis cause for considerable alarm, signaling ominous U.
Since it's a product of the post-ideological, post- Xbox 21st century, will instead be talked about as a technical achievement, the next blip on the increasingly blurry line between movies and video games. Universal Pictures once planned a similar parody, titled National Lampoon's Rise of an Empire. Accompanied by the Spartan politician Traitoro, the messenger presents Xerxes ' demands for Sparta's submission. After growing angry with both the messenger's disrespect and finding him making out with his wife, Leonidas kicks him into a pit.
Despite Traitoro's advice that the messenger's guards are now needed to convey the actual message, Leonidas kicks them in as well, along with several other people he simply dislikes, such as Britney Spears Nicole ParkerRyan Seacrestand the American Idol ju dg es. Resolving to face the PersiansLeonidas visits the prophets and gives them medicines such as Neutrogena as their prize for their consultation. They advise him that he should consult the Oracle for any advice.
The Oracle, Ugly Bettyreveals that Leonidas will die should he go to war. After reaching a decision while spending the night with his wife, Leonidas meets the soldiers assembled for his departure to Thermopylaeand finds that only thirteen were accepted in the army due to stringent requirements.
Among them are Captain, his son Sonio, and a slightly unfit Spartan named Dilio. Once at the Hot Gates, they encounter a deformed Paris Hilton also played by Parkerwho tells Leonidas and the Captain about a secret goat path above the Hot Gates that Xerxes could use to outflank the Spartans.
When she asks to be made a Spartan soldier, Leonidas rejects her as unqualified due to her inability to use a spear correctly. Leonidas and his platoon soon face off with Xerxes' messenger and his Immortals, beating them in a dance contest before driving them off a cliff.
Xerxes Ken Davitianimpressed, personally approaches Leonidas and attempts to bribe him with a trip to the Palms Hotel and Casino.
Leonidas declines, and the Spartans face the Persian army in a " Yo Momma " fight, which the Spartans win, but Dilio has his eyes scratched out and wanders away.
Hilton decides to betray the Spartans and reveals the location of the goat path to Xerxes in return for various gifts and for having her deformed hump removed. Xerxes meets the twelve remaining Spartans and the war begins.
Meanwhile, back in Sparta, Queen Margo has several confrontations with Traitoro, as he is the vital vote in sending more troops to assist her husband.