Abbott and Costello Meet Frankenstein – Variety
Check out the exclusive piliciauskas.info movie review and see our movie rating for Abbott And Costello Meet Frankenstein. Read the Empire review of Abbott and Costello Meet Frankenstein. Find out everything you need to know about the film from the world's. Under Charles Barton's direction, Abbott & Costello Meet Frankenstein () was to prove the best of a quickly deteriorating series.
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Unfortunately, a rift developed in and they refused to speak to each other except when performing. The following year they made Little Giant and The Time Of Their Livesboth big flops primarily because they appeared as separate characters instead of a team. Meanwhile, over at Universal Studios, it was becoming obvious that audiences were bored with the classic monsters of yore. World War Two had provided the public with quite enough real horror through the pages of magazines, newspapers and, more importantly, on a weekly basis at their local cinemas as millions of feet of newsreels were unspooled showing first-hand the devastation of war.
Abbott and Costello Meet Frankenstein Review | Movie - Empire
Out of the war emerged a double-threat villain — the Bomb and Communism — both of which would prove a fruitful source of fantasy film makers throughout the fifties.
Sadly, this attitude was not adopted for the series of films that followed. Costello hated the script at first, saying his five-year-old daughter could have written something better, but changed his mind once filming got under way. He tells Wilbur not to deliver the crates until he arrives but, before they finish their conversation, the moon rises transforming him into the Wolf Man and he tears up his own apartment.
Abbott And Costello Meet Frankenstein - Movie Reviews and Movie Ratings | TV Guide
Wilbur hangs up the phone just as McDougal Frank Ferguson arrives to supervise the delivery of his crates. Horror fans should appreciate the nifty special effects and makeup, and find the monsters appropriately frightening. Wilbur soon finds himself being alternately stalked by Dracula and seduced by Mornay with Chick oblivious to any danger until the duo is trapped in Dracula's castle. The only problem is that Talbot is as much a threat as Dracula or the Frankenstein monster during a full moon.
The idea of Abbott and Costello parodying horror films certainly wasn't a highly original concept at the time Abbott and Costello Meet Frankenstein was made.31 Days of Horror - Day 7 (Abbott and Costello Meet Frankenstein)
First, screenwriter Oscar Brodney The Glenn Miller Story, came up with a story outline and then Bertram Milhauser, who penned numerous Sherlock Holmes's films for Universal, delivered a more detailed treatment which recycled plot elements such as a search for some secret microfilm from his Sherlock Holmes in Washington screenplay.
That was abandoned in favor of a new scenario from writers Frederic I. We had two women - one was a heroine and one was a villain. And nobody could figure out why these two beautiful girls were after Costello.
You're not serious about making it, are you? The making of Abbott and Costello Meet Frankenstein was highlighted by card games, exploding cigars, and daily practical jokes on the set. It was just Bud and Lou's way of battling boredom and having fun with the cast and crew.
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Not everyone enjoyed the horseplay, however, according to Barton from Bela Lugosi: Master of the Macabre by Larry Edwards: You have to understand that working with two zanies like Abbott and Costello was not the normal Hollywood set. They never went by the script and at least once a day there would be a pie fight.
Bela of course would have nothing to do with any of this. He would just glare at those involved with his famous deadly stare and the only emotion he would show physically was one of utter disgust.
All I have to do is frighten the boys, a perfectly appropriate activity. My trademark will be unblemished. Part of the expense went toward the atmospheric sets such as Dracula's castle, a cartoon title sequence, special effects the scene where Dracula changes into a bat was created by animator Walter Lantz of "Woody Woodpecker" fameand makeup. Instead of going with Jack Pierce's original monster makeups for Frankenstein and the Wolf Man, which were too time-consuming and uncomfortable for the actors, makeup artists Bud Westmore and Jack Kevan used rubber sponge masks that could be applied in an hour and still retained the monsters' famous look.
Paddy Costello recalled, "Glenn Strange was so sweet - 'Frankenstein' was always walking around with a smile.
I always got a big kick out of that When Abbott and Costello Meet Frankenstein was released, it received possibly the best reviews of any of their films. The Variety review set the tone when it said "The comedy team battles it out with the studio's roster of bogeymen in a rambunctious farce that is funny and, at the same time, spine-tingling.